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They brought it to me, laid it on the hospital table like a gift. A book of fairy tales Grimm, they called it. Figures. I glanced at the cover, at the tangled letters and faded illustrations, and thought, What am I, six? But I was too tired to argue, so I let it sit there.For hours, it stared at me, an unwanted guest in a room that smelled of antiseptic and quiet defeat. Finally, I picked it up, more out of boredom than curiosity, and thumbed through the pages with a smirk that felt like armour.The words were simple, too simple for someone who had lived through this through IV drips and beeping machines, through nights so long they stretched into dreams. But I kept reading, like poking a bruise just to see if it still hurt.The twelve princesses danced their shoes to shreds. The soldier watched them, invisible and clever, while the king sat useless on his throne. I rolled my eyes. Figures.But then, somewhere between the worn-out shoes and the soldier’s quiet triumph, something shifted. The words deepened, like shadows in twilight. The princesses weren’t just dancing— they were escaping. The soldier wasn’t clever he was desperate. And the king? Maybe he wasn’t useless. Maybe he was just tired, just like me.Suddenly, it hit me this wasn’t for children. Not the way I’d thought. This was for the broken, the bruised, the ones lying in sterile rooms, waiting for answers that may never come.I read on. Gretel burned the witch, Hansel found the crumbs, and I thought about hunger, about all the times I’d chased the wrong thing a bad dream, a bad person, a bad hope I couldn’t let go of.Rumpelstiltskin spun gold, but only because someone was drowning in promises they couldn’t keep. And wasn’t that life? We all spin something just to keep breathing.By the time I closed the book, the machines hummed softly in the corner. I sat there, staring at the cover, and for the first time in days, I felt awake. The words buzzed in my veins, electric, alive, like a story I’d forgotten but always knew.I thought fairy tales were for children, but maybe they’re for the weary for the ones old enough to know magic isn’t real but still hope to see it anyway.I laughed, softly, the kind of laugh that feels like breathing. And in that quiet room, surrounded by tubes and wires, I felt something I hadn’t in years something close to joy. Figures.

The Rediscovery

<span style="font-family: inherit; font-size: calc(16px * var(--body-fontSize, 1)); font-weight: inherit; font-style: var(--body-fontStyle, normal); background-color: rgba(249,250,251,var(--tw-bg-opacity));">In the stale, flickering light of St. Oblivion’s Hospital for the Terminally Confused, a man sat slumped in a wheelchair, unnoticed and unclaimed. To the staff, he was less a person and more an obstruction. His chart hung like an accusation on the back of his chair, an indictment of a system too fragmented to care.Emily, a nurse tethered by her duties to a Sisyphean cycle of meaningless tasks, glanced at the man and then away. His wheezing was insistent, like the whisper of a ghost demanding acknowledgment. But her own survival, her fragile grip on the chaotic machinery of the hospital, depended on ignoring such whispers. "Not mine," she muttered, a mantra that justified her neglect.Carla, her colleague, drifted through the scene like a specter, her uniform slightly wrinkled, her breath faintly tinged with menthol. When she finally noticed the man, it was with the resigned disdain of someone tasked with cleaning a mess they didn’t create. “Still here?” she murmured, the words falling into the void between duty and avoidance.And so, the man’s life faded without drama or urgency, his shallow breaths giving way to silence. No one marked the moment when he crossed from neglect to death, for in a place like St. Oblivion’s, such transitions were mundane.The body was moved with all the reverence of misplaced paperwork to the morgue, where Chance, an intern desperate to prove his worth to a faceless hierarchy, was tasked with cataloging it. He approached the man’s remains with a mixture of dread and weary resignation, wondering if he, too, might one day be reduced to a forgotten pile of obligations.It was then that the transformation occurred. The body, stripped of its name and dignity, began to dissolve, its form reshaping into something unrecognizable yet disturbingly familiar. When the process was complete, what remained was a shimmering heap of Foolacillin, a substance whose purpose was as ambiguous as its origins.Chance stared at the pile, his first thought not wonder or fear, but bureaucracy. What form do I even use for this? he wondered, clutching his clipboard as if it might protect him from the absurdity of what he was witnessing.The hospital administration, when informed, responded with its usual mix of indifference and opportunism. “Document it,” they said, as though writing it down might make it less absurd. “And notify the pharmaceutical companies.”The sale to Pfizer was conducted with the quiet efficiency of a crime hidden under layers of administrative jargon. The contract referred to the body as a “biochemical anomaly,” a term that neatly erased its humanity. Chance, who had initially hesitated at the morality of the deal, found himself swept along by forces beyond his control. His objections, like his existence, were insignificant within the machinery of progress.Pfizer’s scientists, upon acquiring the Foolacillin, set about analyzing it with the fervor of priests dissecting a relic. They found it both miraculous and incomprehensible, a substance that promised cures but delivered contradictions. Their marketing department, however, had no such doubts. Foolacillin was branded as “The Future of Medicine,” and its image, shimmering, unknowable, and vaguely ominous, was plastered across billboards and television screens.For Chance, the $3 million payout was both a triumph and a burden. He paid off his debts, bought a sleek car, and yet found no comfort in his newfound wealth. The body, or what it had become, lingered in his thoughts, a silent reminder of his complicity in a world that valued miracles more than men.Emily and Carla continued their work as though nothing had happened, their guilt buried beneath layers of routine. The hospital launched an internal review, its findings buried in the bureaucratic abyss where such things go to be forgotten.As for the elderly man, he became a symbol, though of what, no one could quite agree. To the pharmaceutical industry, he was a breakthrough. To the hospital staff, he was a cautionary tale. To Chance, he was a haunting question: Had the man truly transformed, or had they simply found a way to sell his death?The story ended where it began: in the fluorescent glare of a hospital where life and death were processed with equal indifference. Foolacillin continued to sell, its origins sanitized into a corporate success story. But in the corners of the hospital, in the whispers of the staff and the uneasy glances of the interns, the man lingered, a reminder of the absurdity of a world that reduces people to products and calls it progress.

If I close my eyes it's not my problem

It’s not often you see it, the raw, the pure, like lightning cracking open the sky just to say, “I’m here, goddammit, and I’m not sorry.”Konstas, the kid, nineteen, sharp as a razor with the kind of grin that tells you he knows this isn’t just a game, it’s a fight, a carnival, a love letter scrawled in sweat and leather.He stands there, legs splayed, bat wide like he’s daring the world to bowl him over. And Bumrah— the big dog, the executioner, the man paid to send kids like this back to the void— throws fire.But the kid doesn’t flinch. No. He flips it— scoops it like a thief pulling silver from a king’s plate. A four. A six. Another four.The crowd goes mad, a thousand hands ripping through the summer air, but the kid? He’s just there, calm, alive in a way you wish you could bottle.He’s not a batsman; he’s a goddamn artist, painting strokes of rebellion on a canvas of green. He’s a kid in the backyard with the sun in his eyes, playing for nothing but the joy of it all.Sixty runs later, he’s still smiling, and you know— you know— this world isn’t about numbers, or records, or the grind of men marching toward nothing.It’s about this: a flash of brilliance, a kid standing tall against the best in the world, saying, “I belong here. I’m alive. And isn’t that enough?”Hell, maybe for once, it is.FSF

The Kid at the Crease

They carry the weight of knowing, a curse dressed as a blessing. the sharp-eyed see the cracks in every foundation, where others find comfort in lies, in the sweet ignorance of easy laughter. understanding breeds loneliness, truth carves its own prison. they sit in rooms full of chatter, watch the mouths move, but the words are hollow, like prayers tossed to gods who stopped listening. they see the patterns, the strings pulling the puppets. history repeats itself while the world claps along, cheering progress with blindfolds on. they feel the crush of existence mortality, absurdity, the gnawing question: why? while others kneel at altars of tradition, or the bright glow of a shopping mall, the intelligent look deeper and find nothing waiting but silence. cheap comforts don't sell here. "everything happens for a reason" rings false, like a secondhand promise. truth-seekers reject the easy bandages because they see the wound beneath. they dream of what could be and wake to what is. the gap between is a chasm they cannot cross. they think too much, feel too much, a mind outpacing a heart until both collapse in the race. their empathy hurts they carry the world’s sorrow in their veins, knowing they can't fix it, knowing no one can. so they search for something real a touch, a word, a moment that doesn’t feel like a trick. and in the end, happiness isn’t a lie. it’s a choice to stop running, to stand still in the chaos, and watch the light bend through the cracks.FSF

Sharped eyed curse

<span style="font-family: inherit; font-size: calc(16px * var(--body-fontSize, 1)); font-weight: inherit; font-style: var(--body-fontStyle, normal); background-color: rgba(249,250,251,var(--tw-bg-opacity));" data-mce-style="font-family: inherit; font-size: calc(16px * var(--body-fontSize, 1)); font-weight: inherit; font-style: var(--body-fontStyle, normal); background-color: rgba(249,250,251,var(--tw-bg-opacity));">In a quiet Brisbane suburb, two small-time criminals, Steve and Gaz, are strapped for cash. They come up with what they believe is a foolproof plan: kidnap the daughter of a tech entrepreneur and demand a ransom. Their target? Etta, a spirited 9-year-old girl who lives in the smart Woollowin neighbourhood with her dad, Sam a local tech entrepreneur.Steve and Gaz do their homework. They watch Etta riding her scooter in Kalinga park each afternoon, laughing as she does daring tricks. “Easy target,” they think. Little do they know, they’re about to regret every single decision that’s brought them to this moment.On a sunny Tuesday, the pair pull up in a beaten-up white van with tinted windows. Steve lures Etta with a story about a “lost puppy,” while Gaz waits to grab her. But before they can even complete the act, Etta hops into the van herself.“You’re the kidnappers, right?” she asks, grinning. “This is going to be so fun!”Steve and Gaz exchange confused looks but quickly drive off, thinking the easygoing child will make their job a breeze.The trouble starts before they even get out of the suburb. Etta opens every single window in the van, shouting, “HELP! I’M BEING KIDNAPPED!” Passersby glance over, but instead of intervening, they just shake their heads at what looks like a dramatic kid.When they arrive at Gaz’s dingy flat in Fortitude Valley, Etta refuses to walk upstairs. “Carry me,” she demands. Steve rolls his eyes but complies, only for Etta to slap him on the back of the head. “That’s for kidnapping me,” she says, laughing.Once inside, she takes over. &nbsp;She insist they call her Donkey Junior and within an hour, she’s hacked into their Wi-Fi to play Roadblox on Steve’s laptop. She leaves a trail of glitter from her backpack all over the flat. Gaz tries to get her to sit quietly, but Etta insists on doing “TikTok dance battles” in the tiny living room, forcing the two men to join in.Exhausted and ready for the ordeal to end, Steve and Gaz craft a ransom note to send to her father. They demand $10,000, confident that Sam &nbsp;will pay up immediately for his darling daughter.To their horror, Etta reads the note over Steve’s shoulder. “ten thousand? That’s all I’m worth? My dad spends more on his latest computer gear.” She grabs a pen and crosses out the amount, writing “500,000 thousand” instead. “Make it worth his time.”They reluctantly send the updated demand and wait for Sam’s reply. In the meantime, Etta decides she’s the boss of the flat. She orders pizza on Steve’s credit card, challenges Gaz to an arm-wrestling contest (she cheats), and forces them to play hide-and-seek. During one round, she hides so well that Steve and Gaz start panicking, thinking she’s escaped.Finally, Sam replies to the ransom demand. But instead of agreeing to pay, he has a counteroffer:“I’ll take Etta off your hands—but only if you pay me $5,000.”Steve and Gaz are dumbfounded. Surely this is some kind of joke? But as Etta sets off their smoke alarm while trying to microwave popcorn, they realise it’s no joke at all.“We can’t do this anymore, mate,” says Gaz, holding an ice pack to his head after being whacked with Etta’s scooter. “Pay the guy.”That evening, they drive Etta back to her house in Kalinga. She spends the entire ride singing at the top of her lungs. At one point, she insists on taking over the aux cord to play her playlist, which consists entirely of remixes of “Baby Shark.”When they arrive, Sam is waiting at the gate, sipping a coffee. Without a word, Steve hands him $5,000 in mixed notes, and Sam nods.“Thanks for babysitting,” Sam says with a smirk. “She’s got a lot of energy, doesn’t she?”Before Steve and Gaz can answer, Etta hugs them tightly. “Best. Day. Ever,” she chirps before running inside. As the door closes, she shouts, “See you guys tomorrow!”Steve and Gaz drive away in silence, vowing never to commit another crime as long as they live. FSF

Donkey Junior

you sit there, drenched in the shitstorm of it all work, love, the endless noise of existence. the rain pelts you like insults from a drunken lover, the kind you almost believed you could save. but listen no storm has the stamina to go forever. the clouds get tired, even the sky has to breathe. so you endure it: the wet clothes, the cold skin, the mud pooling at your feet. and then, without warning, the drops stop, the sun elbows its way through the mess, and suddenly you’re standing in a world that survived. don’t make a big deal out of it. don’t preach or weep or dance just wring out your shirt and keep walking. there’ll be other storms, sure. but even the universe knows when it’s time to call it a night. F.S.F

F.S.F

Writing, Poems and Rants

The Rediscovery

If I close my eyes it's not my problem

The Kid at the Crease

Sharped eyed curse

Donkey Junior

The rain always stops